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Understanding Movies (13th Edition)
Get Free Ebook Understanding Movies (13th Edition)
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About the Author
Louis Giannetti is a Professor Emeritus of English and Film at Case Western Reserve University in Cleveland. He has taught courses in film, literature, writing, drama, and humanities. He has published many articles, both popular and scholarly, on political subjects, literature, and drama. In addition to being a professional film critic for several years, he has written about movies for such scholarly journals as Literature/Film Quarterly, The Western Humanities Review, and Film Criticism. Professor Giannetti is also the author of a book on cinema theory, Godard and Others: Essays on Film Form, published in both Britain and the Unites States. Giannetti’s other books include Masters of the American Cinema (Prentice Hall, 1981), a survey of American fiction films from the perspective of eighteen key figures. Flashback: A Brief History of Film, Sixth Edition (Allyn & Bacon, 2010), written with Scott Eyman, is a history organized by decade outlining the major events, trends, and important filmmakers and their work, with emphasis on the American cinema. Both books are copiously illustrated. Understanding Movies has been a bestselling text in all its previous editions, widely used in the United States and in such countries as Australia, Britain, Singapore, Canada, New Zealand, South Africa, and Japan.
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Product details
Paperback: 576 pages
Publisher: Pearson; 13 edition (July 6, 2013)
Language: English
ISBN-10: 0205856160
ISBN-13: 978-0205856169
Product Dimensions:
7.9 x 0.9 x 9.9 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review:
4.2 out of 5 stars
165 customer reviews
Amazon Best Sellers Rank:
#53,612 in Books (See Top 100 in Books)
I used this book for a Film Appreciation class I was taking. I thought the material was straight forward and enjoyable reading. I have a general interest in film (which is why I took the class) and the terminology and movie back story have been interesting. The publisher has a decent amount of online study material and practice quizzes for each chapter that made the online Blackboard quizzes/tests fairly easy if you read the book. The only reason I didn't give it five stars because the author (editor?) regularly split sentences between two pages and sometimes several graphics broke things up even more to the point that I had to go back and re-read the beginning to remember what was being said. The end of chapters also gave the readers a slew of questions they should ask themselves that were fairly pointless as they were written. I can understand a bulleted list but 10-20 questions in paragraph format does nothing for me.
They use this book at my community college but it's nice to see that other students use this book in film school. Was happy with the book and shipping. As there is a general down play on community colleges it's nice to see this is a book other film students used.Chapters in this book include photography, mise en scene, movement, acting, editing etc.I"m taking the class online and thought I'd add to my comment. The book for the 14th ed is good and has more things. There are over 100 new photos, new things in every chapter even though its the same number of pages. Also sometimes they use the photos on tests so having the new edition might make a difference on that. So it possibly can matter which version of the book you buy sometimes. I do think for college text paying $100 book for every class is a little bit expensive for book.
This textbook was required reading for my college course, "Understanding Movies". It's an excellent, comprehensive survey of the many elements that combine to make up a movie and how to understand them all. It helped me develop a critical eye for story, movement, style, acting, sound, color, lighting, and composition. A wonderful source book for anyone who seriously wants to understand how cinema works as a communicative art form. Well written, sophisticated, challenging and thought-provoking, with great examples from a broad spectrum of movies. One of my all-time favorite textbooks.
It is the most expensive textbook for filmmaking class that I have had for two years in college. And I wouldn't say that it is as much informative as some books for my another classes (which cost in average $35 and downloadable unlimited amount of time).The book is Overpriced. Made for making money, not to teach.
I used an earlier version of this book when I took film class in college, and I am happy to see that it has kept its high scholastic standards. This is the perfect introduction to everything that is involved with making a film from writing, acting, and cinematography. It acquaints you with all the important industry terms and gives a voluminous amount of pictures to illustrate whatever concept is being discussed. The book itself is quite pricey, hence my less than perfect review of it. Because it is considered a "textbook," they publishers feel they can charge way too much for the book. So if price is an issue, get an earlier edition. There is very little change from one edition to the next, like most textbooks, but there is a significant amount of difference between several years, so don't go back too far. Otherwise, this is a top rate book.
This is an awesome book -- and that's saying something seeing as it's a text book. The pages are colorful and covered in great and interesting examples of movies that vary between all genres. I have learned so much reading this book and it hasn't been a dull experience. Everything you read is immediately applied and you will begin to notice that you analyze the movies you are watching according to what Giannetti has taught you.Two enthusiastic thumbs up!
This is a great book if you like movies. I have an edition several years old -- this updated one is really nice. After reading this book one sees movies with much more understanding of how effects are made . . . . Covers the history of movies pointing out innovations throughout the century plus of cinema, covers great directors and movies English and non-English . . .
This wasn't a terrible textbook, in fact it was quite informative and the pictures did a good job of illustrating concepts of film. The issue I had was that the information was often unorganized and lacked any logical flow. If this book was not required for my class, I probably would have never purchased it as a quick look through any chapter demonstrates my point. Even my instructor disliked this book and was in the process of persuading her department to switch to a better one she had found. I decided to keep the book because it is interesting and I already had it, but if you are in the market for a book on this subject, I recommend something else.
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