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Sabtu, 15 September 2018

Free Download Times Square Red, Times Square Blue

Free Download Times Square Red, Times Square Blue

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Times Square Red, Times Square Blue

Times Square Red, Times Square Blue


Times Square Red, Times Square Blue


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Times Square Red, Times Square Blue

Review

"Remarkable."-Salon"In a provocative and persuasively argued cri de coeur against New York City's gentrification and the redevelopment of Times Square in the name of 'family values and safety,' acclaimed science fiction writer Delany proves himself a dazzlingly eloquent and original social commentator. . . . This bracing and well-calibrated blend of journalism, personal history and cultural criticism will challenge readers of every persuasion."-Publishers Weekly"Measured but emotional, illuminating but challenging."-The San Francisco Chronicle"Essential."-The Nation"Reading this book reminds me, as few others in a lifetime of reading have done, just why it is that we so love our cities, what we value in them, and why the great ones become so. [Delany is] one of our finest social critics and one of our great writers."-James Sallis ,Rain Taxi

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About the Author

Samuel R. Delany is a renowned novelist and critic, whose award-winning fiction includes Dhalgren (1975), Babel-17 (1966), The Mad Man (1994), Dark Reflections (2007), and Through the Valley of the Nest of Spiders (2012). In addition to receiving the William Whitehead Memorial Award and the Kessler Award for his lifetime contribution to lesbian and gay writing, Delany was chosen by the Lambda Book Report in 1988 as one of the fifty most influential people of the past hundred years to change our conception of queerness. After more than thirty years of teaching, first at the University of Massachusetts at Amherst and later at Temple University, where he served as Director of the Graduate Creative Writing Program, Samuel Delany now lives with his partner in Philadelphia.

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Product details

Series: Sexual Cultures

Paperback: 203 pages

Publisher: New York University Press (November 2001)

Language: English

ISBN-10: 0814719201

ISBN-13: 978-0814719206

Product Dimensions:

6 x 0.6 x 8 inches

Shipping Weight: 11.2 ounces (View shipping rates and policies)

Average Customer Review:

3.2 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#173,122 in Books (See Top 100 in Books)

Samuel Delany is best known as the author of science fiction novels such as Dhalgren. He is also the author of a brilliant memoir , The Motion of Light in Water.This book is ostensibly about the transformation of Times Square but it's also an extension and updating of Delany's memoir. Delany is not a disinterested observer.He's a participant in the activities he describes.That gives the book a power it would otherwise lack.Delany's focus is narrow. He is not writing so much about Times Square as he is about what I'll call "Porn World".That is the pornographic movie theaters,sex emporiums and bars that served the patrons of these places.The HQ of this Porn World is Times Square but its substation was around 3rd Ave and 14th St.(If you never saw it in the flesh , you may have seen it in Taxi Driver).Delany a brilliant highly educated intellectual, apparently loved these places.They were always doomed.There was no way the powers that be were going to allow Times Square a transportation hub and the nations premiere theater district to forever remain the domain of Jack The Stripper and Teenage Nurses.As for 14th St, once the East Village became hip and trendy and NYU needed land, that was it for the unusual forms of entertainment that thrived on the east side(along with a very low life drug culture).The book is made up of two essays .I enjoyed the first one more.It's basically a collection of musings and observations, usually interesting , sometimes funny.The second essay put me off at first.It is "theoretical ". However I had a slightly revelatory experience after I started reading it.I was looking at THE SPECTATOR and I came across an article where the author talked about meeting a former manager of Roxy Music and later one of the Sex Pistols through drinking in pubs.I said to myself, an example of contact rather than networking.In otherwords I picked up on a key concept from Delany and used it without even thinking about it .So what at first stuck me as an utterly abstruse essay turned out to be analytically useful.You could probably dismiss Delany as crazed and weird and maybe you'd be right but mixed in with the craziness is considerable wisdom.

Chip Delany, the writer/critic with the eight-inch... beard, has done it again. Two books in one, and both will give you lots to think about.The first ("warm") half is an account of the now-vanished culture of random sexual encounters that once flourished in the Times Square area, especially in the porno theaters: alternately funny and tragic, and quite authentic, as I can attest from my own visits to the Adonis in ancient times.The second ("cool") half is (indirectly) on the same subject: it's an essay dealing with the difference between "contact" and "networking" (I won't try to explain... read the book). Even though it never mentions the Internet by name, it says a lot about what the Internet is about, and what it's doing to us.

It seems like a lifetime ago, but before there was a Duane Reade, Starbucks, and TD Bank on every street corner, New York was a different place. Working class people could afford to live in the Village, Chelsea, and Hell's Kitchen or Clinton. Your neighbors were not all bland finance types who went to Wharton (I went to Penn, and I feel this way). Native New Yorkers actually worked waiter jobs and tended bar! New York was filled with rough and tumble guys who spoke English with non-Rhotic accents, lived in Single Room Occupancy houses, and those people rubbed elbows with college educated residents of the Upper West and East sides. There was a gritty-ness to the urban feel of New York street life, which now only exists in fleeting pockets, and is quickly being suplanted by the shining marble lobbies and spotless glass vitrines of LEED-certified office towers and luxury condos. Did I mention the Starbucks on every corner?In the 1990s a short-lived Disney Store opened on 42nd street next to the Disney renovated Amsterdam Theater. The efforts to "clean up" Times Square came to be known (perhaps unfairly) as the Disney-fication of the district, but Sam (Chip) Delany chronicles in time capsule-like fashion the lost micro-culture that was displaced in the process. 42nd street or the "Deuce" as it was called, was populated by a heterogenous intersection of rich, poor, white, black, able-bodied, and disabled who partook in the subversive sub-culture of adult movie houses and peep shows. Chip successfuly shows how the mixing of the classes in the underground gay sex cruising, straight prostitution, and sundry commerce that took place on the Deuce, brought together New Yorkers from different walks of life, thus serving a civic function. The book offers tremendous insight into the changes that led to the demise of the Deuce: Real estate prices, suburban growth, home video, the crack and HIV epidemics and perhaps more signifantly, the righteous panics they induced. This book is must reading for any urban planners, architects, social historians or young New Yorkers, interested in understanding what New York was like only a few years ago.

ONE OF THE BEST BOOKS I HAVE EVER READ.

Not at all what I expected. In a good way.

Initially I thought it was going to cover the entire gay sex scene in and around Time Square before the renovation, not just the sex theater scene only, aside from that it was interesting to see how much things had changed, but I thought at least a chapter or two could have been dedicated to parks, restrooms, the backrooms of bars, leather bars, the wharf, the truck docks, etc.

mr. delany's personal/analytical accounts are something truly inspiring.

Delivered on time and in pretty great condition.I didn't really like the book though. Although at times it was thought provoking, it just wasn't really my thing. At times, it felt a bit over the top. It was interesting, for certain, and really touched on important topics. However, stylistically, it just wasn't my thing.

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Minggu, 09 September 2018

Ebook Batman Vol. 7: The Wedding, by Tom King

Ebook Batman Vol. 7: The Wedding, by Tom King

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Batman Vol. 7: The Wedding, by Tom King

Batman Vol. 7: The Wedding, by Tom King


Batman Vol. 7: The Wedding, by Tom King


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Batman Vol. 7: The Wedding, by Tom King

Review

“Beautiful and emotional.” —Entertainment Weekly“Fresh and adventurous.” —Nerdist   “Challenges both canon and conventional wisdom.” —Paste Magazine   “Rich, emotionally engaging experience of the sort King and frequent partner Mikel Janín do so well.” —IGN   “An outstanding read.” —Comicosity

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About the Author

Tom King is a comic book writer and novelist, best known for his work at DC Comics including Batman, Mister Miracle, Grayson and Omega Men. He often relies on his experience as an ex-CIA agent and experiences during the recent conflicts in the Middle East in his writing, especially apparent in Grayson (alongside co-writer Tim Seeley), Omega Men and in The Sheriff of Babylon, published under the Vertigo imprint.

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Product details

Series: Batman

Paperback: 176 pages

Publisher: DC Comics (October 30, 2018)

Language: English

ISBN-10: 1401283381

ISBN-13: 978-1401283384

Product Dimensions:

6.6 x 0.2 x 10.2 inches

Shipping Weight: 11.4 ounces (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

30 customer reviews

Amazon Best Sellers Rank:

#38,812 in Books (See Top 100 in Books)

Contrary to many other reviewers, I loved the Booster Gold/What if... buildup. King created a clever alternate timeline and displayed the humor he's honed over the last year or so.Then came "The Wedding." What a crock. Totally botched it. The whole thing built to "Enh...nevermind" when all the character beats leading up to it were SO GOOD. Loved the Bruce/Alfred embrace. Never seen that and it was the perfect time for it. Show me the difficult dynamics of trying to make it work!! Show us the happy/complacent Batman who makes a hash of fighting crime. The family reactions. So much fertile ground to cover that will never be uncovered. Ugh.As bold and intriguing as the previous year's lead up has been, this was a complete chicken-s#it move by Tom King.

3.5 starsI love Batman (who doesn't) and really like the work that Tom King has done in comics (Vision, Sheriff of Babylon, Omega Men). King's work on Batman is actually my least favorite stuff he's done. The first couple trades in this run were weak, but they got quite strong with 4 and 5.This volume collects 45 to 50 (six issues, with 50 being a double sized one). There are three stories. A three-part story involving Booster Gold, time travel, Thomas and Martha Wayne, and what Bruce and the world would be like if the night they saw Zorro ended differently. There are some cool moments in the story, but it should be a "DC What IF?" story rather than part of a regular run. There is a two-part Joker story. It's decent - King's Joker is incredibly murderous but his dialogue isn't always there. Issue #50 involves Bruce and Selina writing to each other while the action of the lead up to the wedding goes on in alternate pages. There are some great scenes (Bruce and Alfred). A variety of Batman artists work on various pages - some of the pages are spectacular. I normally don't like changing artists every few pages, but this is a nice survey.I'll keep reading.

I've generally enjoyed Tom King's run on Batman so far. There have sometimes been some bumps, but King's strong thematic writing and thoughtful use of story and panel structure have always kept me captivated. But, that being said, this is possibly the first trade where I had trouble embracing the lead up to the wedding, starting with the Booster Gold story. While it has a few interesting ideas, Booster Gold is portrayed as so tone-deaf and almost eerily daft (nonchalantly observing a character kill themselves, for example) that I found his "wedding gift" story difficult to enjoy. While the portrayal of Gold is not entirely out of sync with the character in some incarnations, it comes off as extreme to the point of making him devoid of almost any common sense. And, in the end, I'm not really a fan of storylines driven by severe misunderstandings or characters acting in frustrating ways for the sake of propelling plot.Likewise, the multi-part Joker story that follows is, while a bit better--with a few intriguing tidbits as the Joker swings from almost boyishly innocent to frighteningly psychotic and violent--likewise takes Joker to extremes that make it difficult to stay immersed in the story. One minute, he is shooting hostages. The next, he is chatting with Catwoman like they are old girlfriends, with dialogue that seems inconsistent from page to page. I appreciate the attempt at humor and realism, and trying to show different aspects of the Joker and almost humanize him. But something about the jarring changes in tone and pacing made the story, and its escalating events and ending, seem highly artificial and contrived.Lastly, without spoiling the final issue (the ending of which was highly-publicized and spoiled for many), I thought the conclusion was representative of the problems in the above stories, i.e. seemingly inconsistent or frustrating character decisions wrapped in artificial storytelling devices. The issue contains a series of throwbacks to former Batman artists and styles, which was a nice touch in theory, but it was generally unrelated to the ultimate plot development, and came off more like artifice for its own sake--not entirely pointless, but didn't enhance the story, which ended up being dragged out.Ultimately, I would recommend this to any fan of King and of Batman, but would caution that it's definitely a big dip in the momentum and quality of the storytelling so far. That being said, it's possible that a lot of this will pick up depending on where King takes Batman next, and perhaps some of this will make more sense in context. Will have to see.

The main story resolves about a "What if...?" scenario which is the product of a rather ambitious, yet unsuccessful good will. We get to see a completely different idea of what became of Gotham city and the Justice League under different circumstances, maybe a little bit too extreme given the idea that the world is highly dependent on the Caped Crusader to ridiculous points.Again, as this is just an alternative reality, you can get to enjoy the improbabilities of its exaggerations without troubling the known canon.Another chapter included in it is a rather unusual encounter between the Joker and Catwoman where they end up beaten up next to each other and begin to do remembrance fleshing out the relationship between the Gotham Underworld.Although not breathtaking, or epic it's still a nice reading.

This was perfect. Some of Batmans most iconic enemies hit him were it hurts most, his heart. This is the midpoint of an 101 issue Batman run, it stirred up quite the ruckus for good reason. Love or Hate it, this comic does its job. Tom King not only writes in a fresh, original, thought provoking way, but he pays a great deal of homage to batmans history. Hes enriched what's come before while giving us something we've never seen before. Its absolutely splendid, buy all the volumes 1-7 it's all one big story. Skip Night of the Monstermen though, that's Orlando's story and not even in Rebirth Batman TPB's 1-7.

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Jumat, 07 September 2018

Free PDF Finding the Center, by V. S. Naipaul

Free PDF Finding the Center, by V. S. Naipaul

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Finding the Center, by V. S. Naipaul


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Finding the Center, by V. S. Naipaul

Product details

Hardcover: 176 pages

Publisher: Alfred A. Knopf; 1st edition (August 12, 1984)

Language: English

ISBN-10: 0394537777

ISBN-13: 978-0394537771

Package Dimensions:

8.4 x 5.9 x 1 inches

Shipping Weight: 14.4 ounces

Average Customer Review:

4.7 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,557,767 in Books (See Top 100 in Books)

-- bookended slyly with a travel and politics story, showing how smoothly good he'd become. Funny this book has sloped away. (The memoir is included in "Literary Occasions," along with a great piece on Conrad that first ran in his Eva Peron book. Somehow, though, that's a less exciting book. It seems like an assignment, a dead piece of past. This book is vital.) You get to see young N fresh in London, learning to write. And -- edgy, nervous, hoping -- how he learns to turn a story. The center he finds is the job; then, in part 2, he does the job. Wonderful work, with -- as a bonus -- one of the best paperback covers in recent decades. Sell the print!

It is a rear book of two essays that dealt with the author's own personal experiences in two entirely different worlds. Prolouge to an Autobiography, the first one was more personal than the second one and it was related to his background in Trinidad and Indian ancestry. I enjoyed reading it mainly because of my Indian background, and if there was something intrinsic I might have missed it because of the same reason. I need to read it over.However I found something remarkably valuable in the second essay, The Crocodiles of Yamaoussoukro. It was more of a travel type dealing with foriegn (African) culture with certain intrinsic revelations about the human nature itself. It showed presence of spirituality behind the primitiveness. Acceptance of the way things happen was delicately brought out through people from Ghana when they say "Yesterday we were all right. Today we are poor. That is the way it is. Tomorrow we may be all right again. Or we my not. That is the way it is." ; and throuh Arlette when she says thing like "But the world is sand. Life is sand" when she tries to explain the unstability of Life. Nailpaul draws the parallel themes between this practical acceptance of Africa and that of the Hindu doctrine of Karma.Naipaul is probably the most focused writer of our times. Only he could have written such observational essays. I highly recommend them to any one with an open mind and a desire to finding one's own center.

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