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, by Stephen Berg
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Product details
File Size: 1919 KB
Print Length: 80 pages
Publisher: Copper Canyon Press; Reprint edition (December 4, 2012)
Publication Date: December 4, 2012
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B00AHEZPJK
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IkkyÅ« SÅjun was the Howard Stern of Zen masters. Born in 1394, he lived through most of the 15th century. IkkyÅ« served as a temple’s abbot for less than two weeks before he quit in disgust, vowing to move into a red-light district—apparently he wanted to live among people he found more honest and less hypocritical. The Zen master despised the corruption and snobbery of monastic politics."Crow with no Mouth" is a collection of Ikkyū’s verse, which is largely in the Zen tradition--featuring natural subjects and simple wisdom in a sparse style. Of course, as per my comments in the preceding paragraph, there are a few poems on topics such as cunnilingus and debauchery—so it’s not what one would call a child-friendly collection (unless one enjoys explaining the sexual exploits of a lecherous monk to one’s child.) The more explicit poems may seem like a diversion from the Zen path, but perhaps not. Maybe IkkyÅ« offered them as a way to train the mind, to observe one’s reaction to shocking commentary as a means of changing one’s way of thinking.A few of my favorite lines of a more traditional nature include: -“you can’t make cherry blossoms by tearing off petals to plant; only spring does that†-“sometimes all I am is dark emptiness; I can’t hide in the sleeves of my own robes†-“it’s logical: if you’re not going anywhere any road is the right one†-“the edges of the sword are life and death; no one knows which is which†-“even in its scabbard my sword sees you†-“a flower held up twirled between human fingers; a smile barely visible†-“in war there’s no time to teach or learn Zen; carry a strong stick; bash your attackersâ€Here are a few of those jarring lines that I mentioned above:-“that stone Buddha deserves all the bird s*** it getsâ€-“all koans just lead you on but not the delicious pussy of the young girls I go down onâ€-“ten fussy days running this temple all red tape; look me up if you want o in the bar whorehouse fish marketâ€-“my dying teacher could not wipe himself; unlike you disciples who use bamboo; I cleaned his lovely ass with my bare handsâ€-“don’t hesitate get laid that’s wisdom; sitting around chanting, what crapâ€-“who teaches truth? good/bad the wrong way; Crazy Cloud knows the taste of his own s***†[Crazy Cloud was Ikkyū’s name for himself.]When he left the monastery, IkkyÅ« shredded the certificate that served as his monastic credential. Some of his students found it, and pieced it back together. That led to the following verse:-“one of you saved my satori paper I know it piece by piece; you pasted it back together; now watch me burn it once and for allâ€Ikkyū’s verse asks us to reevaluate what it means to be sacred or profane. The orthodox view would be that IkkyÅ« fell from the sacred life of a monk. However, IkkyÅ« tells us that one can degrade what is important by raising the wrong things to sacred status. Conversely, some of what we believe to be profane is just rooted in habitual and ill-reasoned ways of thinking.I’d recommend this work for those who love the spare form of Japanese poetry, and who don’t mind a hard jolt to their psyche occasionally.
Received in pristine condition, I have long sought this little volume of one of the more idiosyncretic zen teachers in the history of zen. His poetry, art, haiku, zen and utter humanity are revealed in this collection of some of his poetry, along with his awakening poem: "Hearing a crow with no mouth cry in the deep darkness of the night, I feel a longing for my father before he was born." We all feel that longing, whether we are aware of it or not. Stephen Berg meets Ikkyu poet to poet. I recommend t his volume if you are lucky enough to come by it."
I'm relatively new to Zen but I love this book of poetry. It's irreverent yet still imbued with respect for the way. I'm sure I cannot express it sufficiently or correctly so my suggestion is to find out for yourself.
While I have very much enjoyed reading this book of poetry, the average individual may have a difficult time following and understanding this translation.This is a wonderful book of poems by Ikkyu, but because of the literal translation the average person might have a difficult time following the Zen master here.You need a good understanding of the Japanese sentence structure to follow the translation.But it is an excellent read of the masters poetry.
along with pessoa, my favorite dead poet.a text which entered my memory and on which i dwelt the whole day:"don’t worry please please how many times do I have to say itthere’s no way not to be who you are and where"in a way, this is exactly what michel henry says, in his phenomenological work. the self-affection of flesh, its inability of being otherwise, its desire to run away from itself and its own suffering, its affective character.the translation is beautiful, very accessible and very well crafted.and, of course, his erotic and irreverent poems are anthological :)
An unspeakably beautiful and lively translation. I've had a copy for years; it's dog-eared and battered from rereading. Exquisite, bittersweet, irreverent, melancholy, funny, genuinely profound. The real thing.
What a surprise this book was. Most enjoyable; written with depth and humor.
While long-winded words and lengths clutter up our language, sometimes we come across people like Ikkyu who can say it all in couplets, in a few words, and make a world for us. Crow With No Mouth is this way. One man's world and views, zen, humor, passion, and simplicity with a wink. No pretense. I shall read this over and over. Although Ikkyu is long dead, centuries ago, he continues to dance in my mind! I invite partners to join me in his joyful acceptance of life!
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