Ebook Download Alternative Kilns & Firing Techniques: Raku * Saggar * Pit * Barrel (A Lark Ceramics Book), by James C. Watkins Paul Andrew Wandless
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Alternative Kilns & Firing Techniques: Raku * Saggar * Pit * Barrel (A Lark Ceramics Book), by James C. Watkins Paul Andrew Wandless
Ebook Download Alternative Kilns & Firing Techniques: Raku * Saggar * Pit * Barrel (A Lark Ceramics Book), by James C. Watkins Paul Andrew Wandless
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Product details
Series: A Lark Ceramics Book
Paperback: 128 pages
Publisher: Lark Crafts; New edition edition (September 28, 2006)
Language: English
ISBN-10: 1579909523
ISBN-13: 978-1579909529
Product Dimensions:
8.5 x 0.4 x 11 inches
Shipping Weight: 1.2 pounds (View shipping rates and policies)
Average Customer Review:
4.6 out of 5 stars
128 customer reviews
Amazon Best Sellers Rank:
#31,995 in Books (See Top 100 in Books)
Very good book on alternate techniques for firing pottery.
I got a few ideas from reading this book, but I think if I were a beginner this would be enough information to be dangerous, but not enough to fire effectively. For example, for firing with ferric chloride, there is no mention that breathing fumes during firing can cause injury or death.Proper respirators, eye protection, and gloves can make this a fun and effective firing method. Ignorance of safety issues can make this your final firing. Or just blind you or give you respiratory problems for life.http://www.ncbi.nlm.nih.gov/pubmed/14513891http://www.sciencelab.com/msds.php?msdsId=9924033I hesitate to rate this two stars, because there is some good information in here. However there are some key details missing that are pretty important in my opinion that drop the rating.On the plus side, there are some good photos of pots, and a good quantity of artists' techniques which is interesting. It presents itself as an authoritative tome of alternative firing techniques. I think it is more accurate to say the author asked different artists about their process, and presented each one's methods as a separate category, rather than distill the methods into instructions with details on how differing methods produce different results.There is not a whole lot of information in this book that is not easily obtained with a web search. Each type of firing is a few pages, going for quantity of techniques over quality of instruction and details. The writing is decent, but light on details. Kiln building is a weak point of the content. No details are given on quantity of materials to calculate what to purchase to build a kiln. Quantity of bricks vs. square feet of kiln space, how much chicken wire and fiber blanket? What about insulated bricks versus fire bricks? None of these questions a beginner might ask are answered.Little detail is given on what materials or kiln construction to use to achieve given effects. There are some nice photographs of work to look at, and some recipes to follow. But this book seems more like a cheat sheet for people that already know how to use these firing methods than a comprehensive tutorial.
I’m disappointed. Judging by the description I believed I would learn how to make my own kiln and avoid spending over $1,000 on a regular kiln. Upon reading the book I learned that these alternative kilns are to be loaded with BISQUE fired pots. This means you have to fire your work in a regular kiln before using one of their alternatives. I’m sure others can find value here, but I feel the book description misrepresented it’s true purpose.
I saw some Mata Ortiz potters fire their pots in a clay pot with bark from a tree. It took 45 minutes and was beautiful. Some thing that always stopped me from experimenting with clay was the kiln issue. With this book I was able to explore older methods of firing and the beautiful surfaces that come from different methods of firing. I can even do this in my backyard. The neighbor did threaten to call the fire department so I gave him a pot. Now he is all into it. Thanks, Kirk
Written by artists for artists. Don't expect something written by engineers for engineers. Lots more "how to use" than I expected. Less technical theory of design and specs than I assumed I'd find.High Quality images printed on high quality paper make it a coffee table book when you have absorbed its lessons.
This is a very worthwhile and contentful book, just not what it seemed from the brief desciption. Hopefully this clarification is helpful to others:This book's editorial description, along with the title, seem to suggest that its focus is in how to create various homemade ad hoc kilns (for those that don't have ready access to a kiln already). It talks about kiln building, and never uses the word raku.Basically, however, this is a raku book, with lots of interesting variations. "Barrel" and "pit" kilns (mentioned in the subtitle) turn out to be just more forms of raku, rather than new kinds of homemade kilns. It contains many creative firing ideas with wonderful results, generously shared by a number of contributors. Along the way, of course, they do tell you how to put together firing chambers for these firing techniques. So it does provide some alternative kiln construction guidance with variations, but not the quantity I was expecting. And the firing techniques were an unexpected bonus.In style, this is a thin "coffee-table book" - lots of great photos, widely set lines of type, artistic white space. But the content is fascinating and invaluable to anyone who wants to do firings that are more interesting than simply closing the door and turning on the heat. Initially, I was disappointed when I saw how the content of the book was padded out with white space, but after I started reading I realized how much great information was in it.I would like to see much more expanded content (not counting the gallery & appendices, it is 89 pages). However, this does provide plenty of ideas to try for quite some while. I just need to find a different alternnative kiln book for when I'm not doing raku style firings. (The publisher could really help out here, by giving the table of contents, which really does give an accurate idea of the book content).
I haven't done ceramics for decades because of the high cost of the equipment needed. I had a wheel given to me by a friend, but without a kiln I wasn't able to do a thing. This book goes into a number of traditional kiln alternatives that blew me away. Some use old 55 gallon drums others cover pit firing. There is also a great tutorial on Terra Sig. How to make it, burnish it and fire it. Also included are a number of high quality photos of the authors work as well as other contributors. I have read this book and perused it pages 10 times and still I learn something new and valuable with each reading. Well worth the money. Five Stars and a sixth if it were posible.
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